- #The j. geils band serves you right to suffer full#
- #The j. geils band serves you right to suffer professional#
Geils delivers a solid solo, more on the rock side than the blues side, and Seth Justman’s subtle organ adds to the soulful melodrama of the moment. Geils Band has a lot of fun with it, with Peter Wolf’s intro to the “College of Musical Knowledge” setting the stage for an ironically melodramatic vocal that sounds great and makes you want to laugh at the same time. Without stopping to breathe, the band proceeds to Otis Rush’s “Homework.” The original is, oddly enough, more famous for its killer horn arrangement than Otis’ guitar or vocal. Stephen Bladd rocks out on the drums, Daniel Klein beats that bass, and Magic Dick gets into the act with a soulful piece of harp. The Contours get credit for the original, a surprisingly sanitized version that doesn’t square with the carnal energy they had displayed on their signature hit, “Do You Love Me?” In the hands of Peter Wolf and company, the raw undertone of the song comes through, hot, heavy and with no apologies for the blatant capitalist exploitation of a broad. ‘Nuff said!Īfter the “Are you ready to rock and roll?” intro from the emcee, the band bursts into action with Smokey Robinson’s “First I Look at the Purse,” the sister song to Barrett Strong’s “Money” in the genre of naked greed music. Geils Band when they were in their prime. Personal tastes are what they are, but except for Roger Daltrey, I never considered The Who very sexy, and I could have fucked all the guys in the J. Yes, I like it even better than Live at Leeds, everyone’s model of a live album.
#The j. geils band serves you right to suffer full#
Until Sonny Landreth came along with Grant Street, Live: Full House was my favorite live album. Same thing happened a couple of years later when I saw them with Loggins & Messina when those guys were at their peak. Then they showed up at The Fillmore right before it closed, on a bill with Eric Burdon & War. I bought that album, their first studio album way back when, played it once, and put it in my reject pile to trade it in for something better on my next trip to the record store. Some bands are studio bands, some bands are live bands, some do both. “Oh, my God, what happened to them? Were they sick? Are you sure these are the same guys?” Those same songs all sounded deader than a dysfunctional dick. Geils Band because I’d just heard six of the same songs performed live. “The lesson’s not over,” he said, and put on another record. “Wow! Thanks for the lesson, Dad,” I said, and started to leave the room. I could really feel their energy and the experience was definitely a revelation for me. The record was high-energy, crowd-whipping, shake-your-fanny fun. I’d always dismissed live recordings, because they never seemed to capture the energy I felt when I heard live music, and often the live versions of my favorite songs ruined them for me. I’d heard snippets before, but hadn’t paid much attention. Time for a little lesson in crowd-whipping.” My father smirked and asked, “You never saw J. It must have been a Saturday afternoon after a show, because I was bragging about some band I’d seen the night before with my fake ID and how they really whipped up the crowd. No, these were the facts of life about studio bands and live bands. By the time I was seventeen I’d already fucked both traditional genders and had started down the dark and delightful path to sexual domination. Not those facts, silly! My mother taught me the facts of life right after my first menstrual cycle.
They spent their formative years absorbing the best of all these musics and the sound they have distilled is truly their own.I was seventeen when my father taught me the facts of life. In an effusive contemporary review, a journalist for rock magazine Creem praised the diversity and wrote: "It could be called blues, it could be called R&B, it could be called rock and roll I prefer to call it good energetic music and leave it at that. Geils Blues Band, but its debut album revealed the stylistic range it had long developed.
#The j. geils band serves you right to suffer professional#
The album was released on November 16, 1970, by Atlantic Records.Ĭritical reception Professional ratings Review scores Geils Band is the self-titled debut studio album by American rock band The J.
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